From Glasgow, Scotland, Linn arrived in 1973 with a philosophy that challenged the entire audio industry. While others focused on speakers and amplifiers, Ivor Tiefenbrun argued that the turntable was the single most important component. His logic was simple and irrefutable: information lost at the source is lost forever. This "source-first" creed was the foundation for one of high-fidelity's most enduring icons: the Sondek LP12.

The LP12 took the established three-point suspension design and machined it to a standard of precision that was, at the time, obsessive. The goal was to create a silent, stable platform where the only thing moving was the record itself. The result was a sound that prioritized the music over the sonics. A Linn doesn't impress with the deepest bass or the most crystalline highs; it impresses by finding the melody and the rhythm—the "tune," as they call it. It finds the music's pulse and never lets go.

The LP12 is not a static product but a modular platform, in continuous production for half a century and constantly upgradeable. To listen to a well-sorted Linn is to understand the difference between hearing a collection of sounds and feeling a musical performance.